Adler and Yarranton
are like a pair of mad scientist musical architects,
building and sculpting sonic environments, often with little-to-no preplanning.
other-worldly sounds through a collection of effects pedals.
There are delays, reverbs, poly-octave generators, distortions and more.
Percy’s playing is
strikingly unorthodox and avoids any kind of
cliche or formula.
His “toolbox” is a mysterious collection of effects and he often uses two or three amplifiers,
creating sonic tapestries that seem to wrap around your head.
Together, these two
escapees exist outside the normal expectations of their instruments.